Short film

Short Films and music videos based on sen erotic themew.

He also made El Topo , a surrealistic western film. By the s, he had moved out of short films altogether though MGM continued the Our Gang shorts until

The second of four films from an erotic video art series entitled
Dec 15,  · The Best Short Films of Despite this year's overall horribleness, it's been a great year for short films. Out of the 2,plus I've seen this year, here are my 13 favorites.
The second of four films from an erotic video art series entitled
Dec 15,  · The Best Short Films of Despite this year's overall horribleness, it's been a great year for short films. Out of the 2,plus I've seen this year, here are my 13 favorites.
Sep 30,  · A experimental short film shot on CANON D with 50mm f lens.

An art film is typically a serious, independent film, aimed at a niche market rather than a mass market audience. to include foreign-language (non-English)

They are usually funded by film grants, nonprofit organizations , sponsor , or personal funds. Short films are generally used for industry experience and as a platform to showcase talent to secure funding for future projects from private investors, a production company , or film studios. All films in the beginning of cinema were very short, sometimes running only a minute or less. It was not until the s when films started to get longer than about ten minutes.

It was made for individual viewing only. Comedy short films were produced in large numbers compared to lengthy features such as D. Griffith 's The Birth of a Nation. Short comedies were especially popular, and typically came in a serial or series such as the Our Gang movies, or the many outings of Charlie Chaplin 's Little Tramp character.

Animated cartoons came principally as short subjects. Virtually all major film production companies had units assigned to develop and produce shorts, and many companies, especially in the silent and very early sound era, produced mostly or only short subjects. In the s, the distribution system changed in many countries, owing to the Great Depression. Instead of the cinema owner assembling a program of their own choice, the studios sold a package centered on a main and supporting feature, a cartoon and little else.

With the rise of the double feature , two- reel shorts went into decline as a commercial category. Hal Roach , for example, moved Laurel and Hardy full-time into feature films after , and halved his popular Our Gang films to one reel. By the s, he had moved out of short films altogether though MGM continued the Our Gang shorts until By the mids, with the rise of television , the commercial live-action short was virtually dead, The Three Stooges being the last major series of 2-reelers, ending in Cartoon shorts had a longer life, due in part to the implementation of lower-cost limited animation techniques.

Despite being popular, they also declined in this period. The Pink Panther was the last regular theatrical cartoon short series, having begun in and thus having spent its entire existence in the limited animation era and ended in By the s, the market for animated shorts had largely shifted to television, with existing theatrical shorts being syndicated to television.

A few animated shorts continue within mainstream commercial distribution. For instance, Pixar has screened a short along with each of its feature films during its initial theatrical run since producing shorts permanently since DreamWorks Animation often produces a short sequel to include in the special edition video releases of major features, and are typically of a sufficient length to be broadcast as a TV special , a few films from the studio have added theatrical shorts as well.

In and Warners also released new Looney Tunes cartoons before family films. Shorts are occasionally broadcast as filler when a feature film or other work doesn't fit the standard broadcast schedule. Murnau uses distorted art design and groundbreaking cinematography to create an exaggerated, fairy-tale-like world rich with symbolism and imagery. Some of these early, artistically-oriented films were financed by wealthy individuals rather than film companies, particularly in cases where the content of the film was controversial or unlikely to attract an audience.

In the late s, UK director Michael Powell and Emeric Pressburger made The Red Shoes , a film about ballet, which stood out from mainstream-genre films of the era. In , David Lean directed Brief Encounter , an adaptation of Noël Coward 's play Still Life , which observes a passionate love affair between an upper-class man and a middle-class woman amidst the social and economic issues that Britain faced at the time.

In the s, some of the well-known films with artistic sensibilities include La Strada , a film about a young woman who is forced to go to work for a cruel and inhumane circus performer in order to support her family, and eventually comes to terms with her situation; Carl Theodor Dreyer's Ordet , centering on a family with a lack of faith, but with a son who believes that he is Jesus Christ and convinced that he is capable of performing miracles; Federico Fellini 's Nights of Cabiria , which deals with a prostitute's failed attempts to find love, her suffering and rejection; Wild Strawberries , by Ingmar Bergman, whose narrative concerns an elderly medical doctor, who is also a professor, whose nightmares lead him to re-evaluate his life; and The Blows by François Truffaut, whose main character is a young man trying to come of age despite abuse from his parents, schoolteachers, and society.

This was an alternative to the mainstream commercial cinema known for its serious content, realism and naturalism, with a keen eye on the social-political climate of the times. This movement is distinct from mainstream Bollywood cinema and began around the same time as French and Japanese New Wave.

Some of the most internationally acclaimed films made in the period were The Apu Trilogy — , a trio of films that tell the story of a poor country boy's growth to adulthood, and Satyajit Ray 's Distant Thunder , which tells the story of a farmer during a famine in Bengal. Japanese filmmakers produced a number of films that broke with convention.

Akira Kurosawa 's Rashomon , the first Japanese film to be widely screened in the West, depicts four witnesses' contradictory accounts of a rape and murder. In , Kurosawa directed Ikiru , a film about a Tokyo bureaucrat struggling to find a meaning for his life. Seven Samurai , by Kurosawa, tells the story of a farming village that hires seven master-less samurais to combat bandits.

Ugetsu , by Kenji Mizoguchi , is a ghost story set in the late 16th century, which tells the story of peasants whose village is in the path of an advancing army.

A year later, Mizoguchi directed Sansho the Bailiff , which tells the story of two aristocratic children sold into slavery; in addition to dealing with serious themes such as the loss of freedom, the film features beautiful images and long, complicated shots. The s was an important period in art film, with the release of a number of groundbreaking films giving rise to the European art cinema.

Jean-Luc Godard's À bout de souffle Breathless used innovative visual and editing techniques such as jump cuts and hand-held camera work. Godard, a leading figure of the French New Wave, would continue to make innovative films throughout the decade, proposing a whole new style of film-making. Following the success of Breathless , Goddard made two more very influential films, Contempt and Pierrot le fou , in and respectively.

Jules et Jim , by François Truffaut, deconstructed a complex relationship of three individuals through innovative screenwriting, editing, and camera techniques.

Italian director Michelangelo Antonioni helped revolutionize filmmaking with such films as La Notte , a complex examination of a failed marriage that dealt with issues such as anomie and sterility; Eclipse , about a young woman who is unable to form a solid relationship with her boyfriend because of his materialistic nature; Red Desert , his first color film, which deals with the need to adapt to the modern world; and Blowup , his first English-language film, which examines issues of perception and reality as it follows a young photographer's attempt to discover whether he had photographed a murder.

Swedish director Ingmar Bergman began the s with chamber pieces such as Winter Light and The Silence , which deal with such themes as emotional isolation and a lack of communication. His films from the second half of the decade, such as Persona , Shame , and A Passion , deal with the idea of film as an artifice. The intellectual and visually expressive films of Tadeusz Konwicki , such as All Souls' Day Zaduszki , and Salto , inspired discussions about war and raised existential questions on behalf of their everyman protagonists.

Federico Fellini's La Dolce Vita depicts a succession of nights and dawns in Rome as witnessed by a cynical journalist. The film Last Year at Marienbad by director Alain Resnais examines perception and reality, using grand tracking shots that became widely influential.

Robert Bresson 's Au Hasard Balthazar and Mouchette are notable for their naturalistic, elliptical style. Spanish director Luis Buñuel also contributed heavily to the art of film with shocking, surrealist satires such as Viridiana and The Exterminating Angel Russian director Andrei Tarkovsky 's film Andrei Rublev is a portrait of the medieval Russian icon painter of the same name.

The film is also about artistic freedom and the possibility and necessity of making art for, and in the face of, a repressive authority. A Space Odyssey wowed audiences with its scientific realism, pioneering use of special effects, and unusual visual imagery.

In , Andy Warhol released Blue Movie , the first adult art film depicting explicit sex to receive wide theatrical release in the United States. In Iran, Dariush Mehrjui 's The Cow , about a man who becomes insane after the death of his beloved cow, sparked the new wave of Iranian cinema. In the early s, directors shocked audiences with violent films such as A Clockwork Orange , Stanley Kubrick's brutal exploration of futuristic youth gangs, and Last Tango in Paris , Bernardo Bertolucci 's taboo-breaking, sexually-explicit and controversial film.

At the same time, other directors made more introspective films, such as Andrei Tarkovsky 's meditative science fiction film Solaris , supposedly intended as a Soviet riposte to In and respectively, Tarkovsky directed two other films, which garnered critical acclaim overseas: The Mirror and Stalker. Terrence Malick , who directed Badlands and Days of Heaven shared many traits with Tarkovsky, such as his long, lingering shots of natural beauty, evocative imagery, and poetic narrative style.

Another feature of s art films was the return to prominence of bizarre characters and imagery, which abound in the tormented, obsessed title character in German New Wave director Werner Herzog 's Aguirre, the Wrath of God , and in cult films such as Alejandro Jodorowsky 's psychedelic The Holy Mountain about a thief and an alchemist seeking the mythical Lotus Island. The gritty violence and seething rage of Scorsese's film contrasts other films released in the same period, such as David Lynch 's dreamlike, surreal Eraserhead In , John Cassavetes offered a sharp commentary on American blue-collar life in A Woman Under the Influence , which features an eccentric housewife slowly descending into madness.

Also in the s, Radley Metzger directed several adult art films , such as Barbara Broadcast , which presented a surrealistic "Buñellian" atmosphere, [34] and The Opening of Misty Beethoven , based on the play Pygmalion by George Bernard Shaw and its derivative, My Fair Lady , which was considered, according to award-winning author Toni Bentley , to be the "crown jewel" of the Golden Age of Porn , [35] [36] an era in modern American culture that was inaugurated by the release of Andy Warhol's Blue Movie and featured the phenomenon of " porno chic " [37] [38] in which adult erotic films began to obtain wide release, were publicly discussed by celebrities such as Johnny Carson and Bob Hope [39] and taken seriously by film critics such as Roger Ebert.

In , director Martin Scorsese shocked audiences, who had become used to the escapist blockbuster adventures of Steven Spielberg and George Lucas , with the gritty, harsh realism of his film Raging Bull. In this film, actor Robert De Niro took method acting to an extreme to portray a boxer's decline from a prizewinning young fighter to an overweight, "has-been" nightclub owner. Ridley Scott 's Blade Runner , while labeled as a fast-paced action film, could also be seen as a science fiction art film, along with A Space Odyssey Blade Runner explores themes of existentialism , or what it means to be human.

A box-office failure, the film became popular on the arthouse circuit as a cult oddity after the release of a "director's cut" became successful via VHS home video. In the middle of the decade, Japanese director Akira Kurosawa used realism to portray the brutal, bloody violence of Japanese samurai warfare of the 16th century in Ran Ran followed the plot of King Lear , in which an elderly king is betrayed by his children.

Sergio Leone also contrasted brutal violence with emotional substance in his epic tale of mobster life in Once Upon a Time in America. Other directors in the s chose a more intellectual path, exploring philosophical and ethical issues. In , Woody Allen made, in the words of New York Times critic Vincent Canby , his most "securely serious and funny film to date", Crimes and Misdemeanors , which involves multiple stories of people who are trying to find moral and spiritual simplicity while facing dire issues and thoughts surrounding the choices they make.

French director Louis Malle chose another moral path to explore with the dramatization of his real-life childhood experiences in Au revoir, les enfants , which depicts the occupying Nazi government's deportation of French Jews to concentration camps during World War II. Ingmar Bergman made Fanny and Alexander , which was shown on television in an extended five-hour version. In the United Kingdom, Channel 4 , a new television channel, financed, in whole or in part, many films released theatrically through its Film 4 subsidiary.

Wim Wenders offered another approach to life from a spiritual standpoint in his film Wings of Desire , a depiction of a "fallen angel" who lives among men, which won the Best Director Award at the Cannes Film Festival. In , experimental director Godfrey Reggio released Koyaanisqatsi , a film without dialogue, which emphasizes cinematography and philosophical ideology. It consists primarily of slow motion and time-lapse cinematography of cities and natural landscapes, which results in a visual tone poem.

Another approach used by directors in the s was to create bizarre, surreal alternative worlds. Martin Scorsese 's After Hours is a comedy-thriller that depicts a man's baffling adventures in a surreal nighttime world of chance encounters with mysterious characters.

David Lynch 's Blue Velvet , a film noir -style thriller-mystery filled with symbolism and metaphors about polarized worlds and inhabited by distorted characters who are hidden in the seamy underworld of a small town, became surprisingly successful considering its highly disturbing subject matter.

According to Raphaël Bassan , in his article " The Angel: Un météore dans le ciel de l'animation", [43] Patrick Bokanowski 's The Angel , shown at the Cannes Film Festival , can be considered the beginning of contemporary animation.

The characters' masks erase all human personality and give the impression of total control over the "matter" of the image and its optical composition, using distorted areas, obscure visions, metamorphoses, and synthetic objects. Japanese director Akira Kurosawa's Dreams depicted his imaginative reveries in a series of vignettes that range from idyllic pastoral country landscapes to horrific visions of tormented demons and a blighted post-nuclear war landscape.

The Coen brothers ' Barton Fink , which won the Palme d'Or at the Cannes Film Festival , features various literary allusions in an enigmatic story about a writer who encounters a range of bizarre characters, including an alcoholic, abusive novelist and a serial killer. Lost Highway , from the same director as Blue Velvet , is a psychological thriller that explores fantasy worlds, bizarre time-space transformations, and mental breakdowns using surreal imagery. Other directors in the s explored philosophical issues and themes such as identity, chance, death, and existentialism.

It was called a "high-water mark in '90s independent film", [44] a "stark, poetic rumination", [45] and an "exercise in film experimentation" [46] of "high artistic quality". Daryush Shokof 's film Seven Servants is an original high art cinema piece about a man who strives to "unite" the world's races until his last breath. One year after Seven Servants , Abbas Kiarostami 's film Taste of Cherry , [48] which won the Palme d'Or at the Cannes Film Festival, tells a similar tale with a different twist; both films are about a man trying to hire a person to bury him after he commits suicide.

Seven Servants was shot in a minimalist style, with long takes, a leisurely pace, and long periods of silence. The film is also notable for its use of long shots and overhead shots to create a sense of distance between the audience and the characters.

To Live won the Grand Jury Prize. Several s films explored existentialist-oriented themes related to life, chance, and death. Robert Altman 's Short Cuts explores themes of chance, death, and infidelity by tracing 10 parallel and interwoven stories. The film, which won the Golden Lion and the Volpi Cup at the Venice Film Festival , was called a "many-sided, many mooded, dazzlingly structured eclectic jazz mural" by Chicago Tribune critic Michael Wilmington.

Darren Aronofsky 's film Pi is an "incredibly complex and ambiguous film filled with both incredible style and substance" about a paranoid math genius' "search for peace". The films are filled with allusions to reproductive organs and sexual development, and use narrative models drawn from biography, mythology, and geology.

In , Terrence Malick returned from a year absence with The Thin Red Line , a war film that uses poetry and nature to stand apart from typical war movies.

Some s films mix an ethereal or surreal visual atmosphere with the exploration of philosophical issues. Kieslowski's Three Colors trilogy —4 , particularly Blue and Red , deal with human relationships and how people cope with them in their day-to-day lives.

The trilogy of films was called "explorations of spirituality and existentialism" [52] that created a "truly transcendent experience". The reviewer stated that "[a]ll the ingredients that have come to define Lars von Trier 's career and in turn, much of modern European cinema are present here: A number of films from the s with art film qualities were notable for their use of innovative filmmaking or editing techniques.

Memento , a psychological thriller directed by Christopher Nolan , is about a man suffering from short-term memory loss. The film is edited so that the plot is revealed backwards in ten-minute chunks, simulating the condition of memory loss. Eternal Sunshine of the Spotless Mind is a romance film directed by Michel Gondry about a man who hires a company to erase the memory of a bad relationship. The film uses a range of special effects techniques and camera work to depict the destruction of the man's memories and his transitions from one memory to another.

Timecode , a film directed by Mike Figgis , uses a split screen to show four continuous minute takes that follow four storylines. Russian Ark , a film directed by Alexander Sokurov , took Figgis' use of extended takes even further; it is notable for being the first feature film shot in a single, unedited take.

Waking Life , an animated film directed by Richard Linklater, uses an innovative digital rotoscope technique to depict a young man stuck in a dream. Several s-era films explored the theme of amnesia or memory, but unlike Memento , they did so through the use of narrative techniques rather than filmmaking and editing methods. Mulholland Drive , directed by David Lynch , is initially about a young woman who moves to Hollywood and discovers that an amnesiac is living in her house; as the plot progresses, it becomes apparent that the film is holding something deeper in terms of its plot and characters.

Oldboy , directed by Park Chan-wook , is about a man imprisoned by a mysterious and brutal captor for 15 years. After his abrupt release, he must then chase his old memories.

Peppermint Candy , directed by Lee Chang-dong , starts with the suicide of the male protagonist, and then uses reverse chronology similar to Memento to depict the events of the last 20 years, which led the man to want to kill himself. Some notable films from the s are considered to possess art film qualities yet differed from mainstream films due to controversial subject matter or narrative form. Todd Haynes ' complex deconstruction of Bob Dylan 's persona, I'm Not There , tells its story using non-traditional narrative techniques, intercutting the storylines of the six different Dylan-inspired characters.

Mexican director Guillermo del Toro 's film Pan's Labyrinth uses computer-generated imagery CGI to create a fantastical world, imagined by a ten-year-old girl to block out the horror of the Spanish Civil War.

In , director Paul Thomas Anderson claimed that his film Punch-Drunk Love about a shy, repressed rage-aholic was "an art house Adam Sandler film", a reference to the unlikely inclusion of "frat boy" comic Sandler in the film; critic Roger Ebert claims that Punch Drunk Love "may be the key to all of the Adam Sandler films, and may liberate Sandler for a new direction in his work. He can't go on making those moronic comedies forever, can he? Who would have guessed he had such uncharted depths?

This film, which won the Cannes Palme d'Or, "ties together what might just be a series of beautifully shot scenes with moving and funny musings on the nature of death and reincarnation, love, loss, and karma". His films deal with dreams, nature, sexuality, including his own homosexuality , [59] and Western perceptions of Thailand and Asia.

Terrence Malick 's The Tree of Life was released after decades of development and won the Palme d'Or at the Cannes Film Festival ; it was highly praised by critics. At the Avon Theater in Stamford, Connecticut , a message was posted about the theater's no-refund policy due to "some customer feedback and a polarized audience response" to the film. The theater stated that it "stands behind this ambitious work of art and other challenging films". The movie was well received, some claiming it to be Von Trier's masterpiece with others highlighting Kirsten Dunst 's performance, the visuals, and realism depicted in the movie.

Jonathan Glazer 's Under the Skin was screened at the Venice Film Festival and received a theatrical release through indie studio A24 the following year. The film, starring Scarlett Johansson , follows an alien in human form as she travels around Glasgow , picking up unwary men for sex, harvesting their flesh and stripping them of their humanity.

Dealing with themes such as sexuality, humanity, and objectification, the film received positive reviews [62] and was hailed by some as a masterpiece; [63] critic Richard Roeper described the film as "what we talk about when we talk about film as art".

Quality artistic television , [69] a television genre or style which shares some of the same traits as art films, has been identified. Television shows, such as David Lynch's Twin Peaks and the BBC 's The Singing Detective , also have "a loosening of causality, a greater emphasis on psychological or anecdotal realism, violations of classical clarity of space and time, explicit authorial comment, and ambiguity".

As with much of Lynch's other work notably the film Blue Velvet , Twin Peaks explores the gulf between the veneer of small-town respectability and the seedier layers of life lurking beneath its surface. The show is difficult to place in a defined television genre; stylistically, it borrows the unsettling tone and supernatural premises of horror films and simultaneously offers a bizarrely comical parody of American soap operas with a campy , melodramatic presentation of the morally dubious activities of its quirky characters.

The show represents an earnest moral inquiry distinguished by both weird humor and a deep vein of surrealism , incorporating highly stylized vignettes, surrealist and often inaccessible artistic images alongside the otherwise comprehensible narrative of events.

Other television shows that have been called "artistic television" include The Simpsons for its use of a "flurry of cultural references, intentionally inconsistent characterization, and considerable self-reflexivity about television conventions and the status of the programme as a television show".

HBO's The Wire might also qualify as "artistic television", as it has garnered a greater amount of critical attention from academics than most television shows receive. For example, the film theory journal Film Quarterly has featured the show on its cover. From Wikipedia, the free encyclopedia. Archived from the original on Retrieved 21 April The Emergence of Art House Cinema. From Iconography to Ideology. Retrieved February 22, — via www. Modernism in the narrative cinema: Fairleigh Dickinson University Press.

Watch the best Art films on Short of the Week—review and discuss the new generation of innovative stories that are shaping the world. May 14,  · Discover videos and short films about Art on NOWNESS, a video channel premiering the best in global arts and culture. The second of four films from an erotic video art series entitled "Hotel Erotica". Shot in Rome and produced and directed by the artist. This 3 minute cut provides a .